Sunday, July 15, 2012

Email exchange between Carl and Kelly or Texting in the Grocery Line


On Jul 15, 2012, at 7:42 AM, "Carl C. Trovall"
>> wrote:
>> Critical Tools and Theoretical Machines


>> “Critical tools” was a phrase I’d hear from time to time, back in the
>> academy. No one ever said exactly what it meant, but you got the idea.
>> Analyzing narrative structures, tracing patterns of...

> On Sun, Jul 15, 2012 at 9:43 AM, Kelly Neal wrote:
>
>> Yes, but the separation of criticism From theory is specious. One has a
>> theory behind the criticism always. Once at Breadloaf the profs held an
>> impromptu panel, where they took an Emily Dickinson poem and ran it through
>> various theories: deconstruction, feminist, Marxist, new historicism, New
>> criticism; the result was each opened the poem in a different way,
>> revealing a deeper understanding of the work overall. And ultimately the
>> poem survived the various vivisections and still read in a beautiful way. I
>> think most attacks on theory come from A basically conservative view of
>> literary analysis which is comfortable with only one "correct"
>> interpretation which everyone will come to if only they use the "right"
>> tools. We make meaning happen through our living talk about "texts"
>> whatever those texts are; when those meanings become orthodox, we run the
>> risk of not having a meaning at all, or a life for that matter.
>>
>> Thanks for the article, sorry if i ranted.
>>
>> Kelly
>>
>> Sent from my iPhone

> On Jul 15, 2012, at 11:50 AM, "Carl C. Trovall"
> wrote:
>
> No worries about ranting. When we are in dialog, it is just a very nice,
> vigorous and passionate discussion, no? Besides, I rant a lot, too.
>
> I wouldn't say the distinction is specious--that is too strong, in my
> opinion (if by specious you mean that it looks good on the surface, but is
> false). I don't think the distinction is false. It is actually helpful
> and true to some extent.
>
> At the same time, I fully agree that everything (definitions, language,
> criticism, even theory creation and maintenance itself) is theory-laden and
> so the distinction falls apart and clouds thinking. And, I like the
> Breadloaf story...I do that exercise with Biblical texts in class all the
> time and explain the role of presuppositions (which are constantly being
> modified in a hermeneutical circle). That's why the biblical text, along
> with all great literature, is so wonderful...it just keeps opening up
> worlds rather than shutting them down (though there are plenty of shutter
> downer interpreters, esp. in theology, though I have noted that nearly
> every field and politic has its closed minded dogmatists. Thank God, I am
> not one! : ) ).
>
> I suppose my anxieties always arise because I think there are better and
> worse ways of interpreting texts...some people's interpretations are
> pure transference with little apparent relation to the text (just sit in a
> Bible study...oh, boy). But, I also hate the theologian who says 'this is
> what the text means.' Somehow there is a balance between anything goes
> (which is uncritical) and tying the meaning down into a forced meaning of
> the expert (which is uncritical at another level).
>
> That's why I liked this piece....it seemed to bridge those worlds.
>
> Thanks for the opportunity to dialog!
>
> 100 today in MN! Whew....
>
> Oh, yes, thanks for the wonderful time and quiche and wine and discussion
> at your house. Always a joy.
>
> Carl

On Sun, Jul 15, 2012 at 1:16 PM, Kelly Neal wrote:

> I don't see a lot of difference between the person who sees what they want
> to see, and the "expert" who uses outside textual "authorities" to see what
> they want to see. There is no "pure" objective way to interpret text. To
> speak of "criticism" as if it is some rational method beyond the taint of
> theory is what I call specious. We create meaning through our social
> interactions with the text and the societal contexts in which we encounter
> these texts. There is a constant play between the standard, possibly
> repressive, interpretations, and the counter / resistant narratives of
> meanings. As William Burroughs said: language is a virus from outer space.
> Theory is a way to differentiate the various strains of viral outbreaks.
>
> Sent from my iPhone

From: "Carl C. Trovall"
Sent: Jul 15, 2012 2:01 PM
To: Kelly Neal
Subject: Re: Critical Tools and Theoretical Machines

I certainly don't think that criticism stands apart from theory, as an
objective view from nowhere. But, not every interpretation of a text is a
good one. Would you say that whatever interpretation of a text by any
reader are all equally valid and good? Or, are there 'better' and 'worse'
interpretations of a text? Because if there are better and worse, then one
has to justify why that is so. And, I hope that it is just more than
simply power relations (I am teacher, you are student)...that there are
tools to use to help us meaningfully interpret texts better than having no
critical tools at all. For example, if someone interprets the Pauline
texts on homosexuality as reason to kill and punish homosexuals, and
another interprets those texts in a liberative way, I personally think that
the second is a better interpretation than the first. And, I have my
reasons, my critical theory for choosing that. It is purely objective?
No. But I would argue that it is not purely subjective either. I think
I can offer reasons why it is better to love than hate.

Further, while I know that reader makes meaning, and texts take on their
own lives apart from the author's intent, I still think the writer's intent
and purpose ought to be considered in fairness to the author. It is the
standard of humility before the author. No, the author is not omniscient,
but we at least owe the author some form of charity and respect to
understand what they are trying to say, and ask, "is that true, or good or
beautiful?" That is, I think that while I don't have control over how
others interpret what I write, I still think that the meaning(s) I intended
deserve to be privileged in some sense. That's why I speak and write, to
make sure that others understand what I am trying to say, and I want my own
interpretation of my own words .

Thanks for a wonderful discussion...I suppose we should be discussing it on
the RFB blog. I plan to respond to Steve and you sometime today...

Carl,

To step back a bit:  my main concern with the article was with the dismissal of theory, almost out of hand.  I do not think that one interpretation of text is as good as another, but that is where theory comes to play in force.  A theory helps explain what the person is seeing in a text that is not just, "Oh, the inferno was an allegorical description of Dante's summer vacation."  Theory gives some validity to the interpretative critique a reader is employing as they read the text.  I tend to read, when people say, "Well then anything goes" to mean (my interpretation here),  "anything" meaning any other interpretation other than mine which I disagree with. (I am not saying you are saying this Carl, just that over the years I have read that anything goes phrase as dismissive and condescending to any interpretation other than the status quo).  I have found that for the most part, different theoretical critiques do more to open up a text than they do to undermine the text.  A Marxist reading of Dickens is fairly profound, as is a feminist reading comparing the Wife of Bath's tale to the Clerks Tale in Chaucer. And there is doubtful any way that Chaucer can be seen as a feminist writer. And even when they do undermine a text, I think that helps us to understand how the text is making meaning in the current context, thus guaranteeing the continuing value of a text over time.  When the meaning of a text becomes fixed is when it has become a dead text of no value to the society which is reading it.  Why are we reading this text?  What does it say now?  Is that different than what it said when it was written?  How can meaning change?  When we look at a text in the context of the time it was written and the context of the author's life, how much can we project our own understandings of the time period onto the text? Quite a bit I would venture. Should we use Freud and Jung on anyone writing before Freud and Jung?  Why not? Why?  All of these questions come under the pervue of theory.  Theory is just the grounding in a fairly open manner the perspective from which the critic is applying his critical skills.  I have thought of choosing for RFB this book 


Just because it is a fairly wild interpretation of criticism.  Eagleton is a marxist theorist and makes no attempt to disguise that.  But I probably want do that because I would rather read something of beauty.
As John Keats wrote: 
'Beauty is truth, truth beauty,' - that is all ye know on earth, and all ye need to know.

Kelly




3 comments:

Carl said...

Good post. I would welcome Eagleton.

I went back to the original article and read it with you concerns in mind, and I see your point. Given you perspective, I agree with your concern.

Interestingly, I think I related to his critique of theory for the same reason you had concerns about it because I just found graduate theoretical dogmatism to be as stultifying of interpretation as ecclesiastical theoretical dogmatism. Sure feminist theory opened my eyes, as did Nietzschian critiques, but I had profs who told me to dump my perspectives for these new enlightened ones. I was trying to escape a conservative dogmatism only to find myself in new dogmatisms. And, so we write our dissertations less naive, but having to please our readers and their theories of education, religion, bible, or whatever.

I just wanted someone to help me be more open-minded, avoiding the gutters of relativism and dogmatism. To have strong moral and philosophical convictions, and yet with grace and profound humility. How do we take human potential and love as seriously as human failure and evil?

kneel said...

I thinks as with most of life, that the key is to be self-aware, to be conscious of what you are doing, why you are doing it and the ideological grounding you are operating from. I first ran across the term "praxis" in poetics essays by Charles Berstein. He defined it as making sure your poetics (theory/ideologies) matched what you were doing in your writing. Your beliefs played out in your daily life in a consistent manner.Which of course is hard to do, especially as you are also trying to be open to new ideas and should be constantly questioning your own ideas. Easier just to be rigid in your beliefs and never change. Even easier not to be aware of what you believe and flop about like a dying fish.

Carl said...

Yep. Know thyself. Wisdom is found in that and in the humility of saying 'I don't know, but let me think about it.' Praxis is a big word in theological ethics, too, perhaps for obvious reasons.

Of course, this is why communities of discourse are so important, too. Others hold us accountable for our theory and praxis, not to mention they serve as people who can help us see new truth, beauty, and goodness in dialectical tension.

I hope I am alive, and not just flopping! LOL